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Cinderella   by Stuart Ardern and Bob Heather

Panto February 2008

 

Directed by Vicky Burden

 

 

 

 

 

Want to see everyone involved…? Click here

 

 

DON'T EAT THE CUSTARD!

 

Poor Cinders (Kelda Lay)!  Not only did she have the stepsisters from hell (flirtatious Chris Hall and a splendidly mincing Andrew Flanagan), she also had to cope with a profoundly deaf father (David Haydon on top form), who could be relied on to get the wrong end of every stick, and a wicked stepmother (Sue Spurling) whose custard would have poisoned many of the characters if the audience hadn’t been there to shout out a warning.

                                      

Not everyone was against Cinderella though.  She had her pet mice (Louis Andrews, Sammy Holligan, Oliver Waggott and Charlie Wilson), who scurried here and there across the stage, cleverly mimicking the real animals and occasionally appearing as pirates! And she had Buttons (Sue Jackson). Why Cinders never fell for Buttons was a mystery!  He was her staunchest supporter and, what's more, he did a mean Elvis impersonation, turning up at the ball in blue suede shoes.  Their dance – backed by the farmhands and milkmaids (Lauren Cartwright, Hailey Hallwood, Hannah Harwood, Joseph Rickard, Izzy and Sebastian van Leest and Christopher and Nicola Waggott) and superbly choreographed by Kelda Lay (as were all the dances) - nearly brought the house down.

Meanwhile Prince Rupert (Rebecca Rickard) had problems of his own. King Cuthbert (Nigel Coleman) and his Privy Councillors (yes, you've guessed where THEY met!) led by the Prime Minister (a very sensible Simon Harwood), wanted the Prince to marry, regardless of love. Kali Argent, Lauren Harwood and Thomas Rickard were a wonderful set of bureaucrats, proving that even in pantoland it's the men in suits (and in one case the tallest top hat in the world) who rule the country.

                                                                  

The Prince's friend Dandini (Leslie Evans), in a very fetching sombrero, saved the day by suggesting a Grand Ball to allow the Prince the chance meet all the loveliest young girls in the country – and of course the ugly sisters.  The ball (like the whole panto) was beautifully staged thanks to Adam Lay’s set design, Chris Hall’s scenery and general production input, and stage manager Alan Glynne Jones and his team.

Thanks to her fairy godmother (Jo Finch), Cinderella arrived at the ball in a pirate ship sailed by her mice and instantly captivated the Prince, although when she inevitably fled on the stroke of midnight, it seemed he was more captivated by her shoe!

                                         

The resulting search built suspense as to whether the Prince would ever find his Cinders.  Everything of course turned out happily ever after (although one small boy worried to his mother that Cinderella and the Prince could not get married as 'they're both ladies').

With supporting performances by Juliette and Isabelle Ryan as the King’s footman and herald respectively and the hilarious appearance of the pantomime cow (Pollyann Monk and Kerry Natt), the stage was set for another successful panto. The combined efforts of Bill Sutton on sound, Steve Denford and Trevor Ryan on lighting and Bridget Coleman on piano added to the atmosphere. And we mustn’t forget the people front of house who, among other things, made sure the audience had as much wine as required (except during the matinee!).

Director Vicky Burden once again showed exactly how a panto should be played and is to be congratulated on achieving such polished performances from the entire cast, especially the children.  Everyone left with broad smiles of pure happiness on their faces.

Review written for the Gauntlet by PHYLLIS BENNETT

 

 

 

 

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THE BIG EVENT

 

I was standing backstage, I couldn’t believe it, it was actually going to happen! I was shaking really badly it was like I was going to have a fit! Despite all of my nerves I was ready! I had been practising for weeks.

 

It was February 23rd 2008, 5.30 in the evening. I arrived at the Village Hall in King’s Somborne. The makeup artists were already there and a few actors/actresses were getting their makeup done. “When was I getting done? What was happening?” I had all these thoughts whirling through my brain.

 

I put my costume on and got my make up done. After I was ready I started greeting the audience as they were coming in. I turned round and suddenly the audience were there.

 

Was this really going to happen?

 

There I was, stood backstage ready to go on, when suddenly the music started and the curtains opened. It… Was…… Time!

 

We skipped on stage and did our first dance to the song track “Zippadee do da”. We sailed through that no mistakes! I had to do four different routines. How was I going to remember? When the first dance was finished I realised that the hall was as busy as a crowded street. Then it struck me, was it going to go right? We sailed through the first act, then it was time……

 

I went on stage with Daisy the cow, Cinderella started speaking then it was my turn. Luckily I didn’t get any of my words wrong.

 

It was over! I’d done it! All I had to do now was do the same thing again,  twice!

 

After all the performances we had a party. We had: cakes, crisps and even little sausages on sticks. There was a healthier option like: grapes and sandwiches.

 

We all changed out of our costumes and started dancing to the music!

 

I really enjoyed being part of the village pantomime, and I think everyone did really well. Overall I think it was a really good experience and I would love to do it again!

 

I wonder what it will be next year – maybe Hansel and Gretel!

 

Written by NICOLA WAGGOTT

 

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CINDERELLA

a pantomime in two acts

 

 

Prince Rupert must marry and so a grand ball is arranged to help find him a wife. All the eligible ladies of the land are invited and Griselda and Gertrude of Hardup Hall are both sure the Prince will fall in love with them.

But what of poor Cinderella? Is there anyone who can make it possible for her to go to the ball?

 

 

Act 1 Scene 1

Hardup Hall

 

Act 1 Scene 2

The Royal Palace

 

Act 1 Scene 3

The kitchen of Hardup Hall

 

INTERVAL

refreshments and raffle

 

Act 2 Scene 1

The ballroom of the Royal Palace

 

Act 2 Scene 2

Hardup Hall

 

Act 2 Scene 3

The Royal Palace

 

Act 2 Scene 4

The kitchen of Hardup Hall

 

Pyrotechnics will be used during the performance.


CAST

 

 

Baron Henry Hardup

David Haydon

Cinderella

Kelda Lay

Stepmother

Sue Spurling

Gertrude

Andrew Flanagan

Griselda

Chris Hall

Buttons

Sue Jackson

Fairy Godmother

Jo Finch

King Cuthbert the Convivial

Nigel Coleman

Prince Rupert

Rebecca Rickard

Dandini

Lesley Evans

Prime Minister

Simon Harwood

Pantomime Cow

Pollyann Monk

 

Kerry Natt

Footman

Juliette Ryan

Herald

Isabelle Ryan

Farmhands

Lauren Cartwright

 

Joseph Rickard

 

Izzy van Leest

 

Sebastian van Leest

 

Christopher Waggott

Milkmaids

Hailey Hallwood

 

Hannah Harwood

 

Nicola Waggott

Ministers

Kali Argent

 

Lauren Harwood

 

Thomas Rickard

Mice

Louis Andrews

 

Sammy Holligan

 

Oliver Waggott

 

Charlie Wilson

 

                                                              


 

CREW

 

Director

Vicky Burden

Stage Manager

Alan Glynne Jones

Stage Crew

Melanie Haydon, Pollyann Monk,

John Rickard

Set and Publicity Design

Adam Lay

Scenery and general Production

Chris Hall

Scenery Painting

Cast and Members

Sound

Bill Sutton

Lighting Design

Andrew Flanagan

Lighting Operators

Steve Denford, Trevor Ryan

Piano

Bridget Coleman

Dancing

Kelda Lay

Prompt

Linda Aucock

Props

Alan Glynne Jones

Costume

Lesley Evans, Audrey Gannaway, Pollyann Monk, Rebecca Rickard

Makeup

Carol Hallwood,

Joanna Barker, Diana Douglass,

Carolyn Ryan, Linda Waggott

Front of House

 

Carolyn Ryan,

Linda Aucock, Claire Bevan, Catherine Cartwright, Audrey and Roy Gannaway,

Sharon Geary-Harwood, Sue Holligan, Vanessa Sharpe, Audrey Thomas,

Emma van Leest, Mark and Gill Wilson, Linda Waggott, Joyce Weekes

Publicity

Vanessa Sharpe

 

 

THANKS TO…

 

Cross Stores

for ticket sales

John Gorst

for scenery storage

Sarah Litton

for costume storage

and help with dancing

Leckford Stores

for loan of sweet jars

Broughton Am Drams

for loan of costumes